The broad outlines of this story are familiar from a lot of other showbiz biographies, maybe because this is more or less the way it happens with a lot of performers. What Townsend adds that’s special is the way he sees each of the five group members as an individual with his own problems and destiny. This is not only a biography with music, but also a thoughtful look at the way five young men from a poor but nurturing black neighborhood find success, and deal with it.
The screenplay, by Townsend and Keenen Ivory Wayans, begins some 25 or 30 years ago with a bunch of kids, two of them brothers, who are already very different individuals. There’s Duck, the natural leader (Townsend), who has a cool head for the group’s best interests. Eddie (Michael Wright), the lead singer, who has the biggest talent but also the biggest problems, including drugs. J.T.
(Leon), Duck’s brother, who is a ladies’ man, incapable of set tling down. Dresser (Harry J. Lennix), smooth and flashy. And Choirboy (Tico Wells), whose father is a minister who thinks jazz and rock ‘n’ roll are the work of the devil.
Townsend tells their stories in an interlocking series of episodes that’s confusing at first - the opening 20 minutes or so are hard to follow - and then settles down, as if he’s found his way. I doubt if the movie was shot in chronological order, but it certainly picks up confidence and power as it goes along, until by the end we really care about these guys, especially in a couple of scenes where they have to make decisions for a lifetime.
The big dramatic interest centers around Eddie, who has the real star power in the group, and whose ability to break out of a song and really let go has the fans in the front rows swooning. But Eddie is not simply the star, he’s also the one with the most vulnerable ego, the biggest problems with self-regard, the almost inevitable attraction to drugs. He begins to screw up and miss dates, and eventually the group has to drop him - leading to a painful scene outside a club, where the Heartbeats are getting into their limo as Eddie comes stumbling up like a bum. Eddie’s ultimate fate is the counterpoint for everything else in the movie.
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